At it again. Sad, isn't it? 
This is what I've been doing when my fingers need a rest. Tat one night, glue, color, cut the next. :) After the marathon they've been doing with the blue and brown doily, getting sticky was good for them.
I don't know about all you other tatters, but the threads cut into my fingers, sometimes. I have an almost permanent line across the middle finger on my left hand and the crease on the side of the top knuckle of my right little finger is deeper than it used to be. Most of the time I remember to tape up. (Oooo, sounds so athletic!) I use fabric bandages and just cut off the sticky part. That nifty little gauze pad just gets chucked out. I can cover the three most worn places with one bandage. I've got a favorite brand and they are hard to find. When I do find them I buy all available and hoard them (No, no, no! I'm not telling what they are then somebody else would go buy them and how could I hoard then?). Oh, okay -- they're Curad brand. They're thinner than most and the adhesive doesn't come through the tape to get on the tatting. I've made do with others, but it really is just making do.
I did a bunch of Clover shuttles like these, but didn't get a picture taken before I packed 'em up for Shuttlebirds in April. Now...I won't be there, but the shuttles will. A very generous soul from Bonneville Tatters is taking them to see if anyone might want to buy one. Personally, I'm hoping she gets rid of the whole lot. Then I can buy a bunch more shuttles to cover. Like I said before -- it's soothing and such a great reason to stay up until 2:00 in the morning.
One last heart. I forgot about this one, it turned up when I turned out my tatting bag (I do clean and organize now and then, just don't want to go overboard about it). It's really little, about the size of a U.S. dime, even though it's made with size 30 Cebeliá thread. It's one of the things we learned at tatting guild -- last year. Since I learned last year, and never did it again, I don't think I can do it again!
with a pattern of lines making what almost looks like tatted shamrocks. I offered to trade her for one I did with a blue and green paisley pattern. She got right on the job; and I got the loveliest surprise package today. I've got the pretty blue papered shuttle, two balls of size 70 thread, and a beautiful glittery bag. See?
ignore everyone (works ever better if you put in earphones connected to an MP3 player with a really good book), and stay up way too late. I do this stuff a bit differently than Diane. I use a regular paint brush, not as many coats of decoupage and I don't use fingernail top coat (but I've got to look into that and the sponge brushes!). Instead of a craft knife, I use a curved nail scissors. Knives and I don't play well together. (It's not me -- they bite.) Anyway, here's a photo of the last lot. None of these have had the final coat of acrylic spray applied (I've been too lazy to lace them into the spray box). The ones outlined by the squiggly red line are all the same pattern, but different colors -- like a six shuttle set (so alliterative!) -- I don't even mind the tan one! The bunch outlined in turquoise are all Clover shuttles (yeah, like you couldn't tell, huh?). The ladybug shuttles are all made with stickers on tissue paper, as is the firecracker (the blue next to the blue with a ladybug). There's a lavender one in the bottom row and the one black shuttle that are made with nail stickers on tissue paper. I've decided to not buy any more of the nail stickers once I've used those I have. I'm not creative enough with them and they end up just ...well... stuck there. 
This is the Flurry part -- Jane Eborall's Flurry Snowflake in bangles. It's really a great pattern (and even easier when all done in one color so the SLT can be skipped ... lazy, that's me). It looks wonderful in the bangles -- even if I did have a bit of trouble getting each spoke at 60 degrees from the other. The one done with Lizbeth's red, green and white thread is a bit wild, but I like it anyway.
And, yes, those are a couple of little Clovers on the right end. I think the Aeros are easier to cover because the paper can be tucked under the sides. It has to be cut with much more precision for the Clovers. I like the striped one on the left side the best, but the minimalist blue snowflakes is a close second.
e rather speak for themselves, but I have discovered I like tissue paper better than paint. That gray one on the far right (the one with the red jewel in it's little bellybutton) is covered with silver tissue paper. It doesn't look much different than the plain gray Aero, except for the shine, until you turn it over and see it has Snowflakes on it. :)
Here they are for a closer look. (There are only 7 of them, this shows both sides of each shuttle.) The three on the left are unpainted -- that's the native gray showing through.
The thread doesn't slide over them from the back -- but if you tat with your fingers behind the center of the shuttle, as I do, there's a perfect finger spot on this one.
I've been playing with my plain gray Aero shuttles during the long Thanksgiving weekend (my office is closed the day after Thanksgiving, too). Seven of my shuttles are out of commission -- at least for the time being. I learned something on each shuttle and about each of the materials I used. There are some things I would never do again -- like paint the inside of the shuttle (duh). I will probably never do three or four coats of paint with four coats of decopodge, either. Oh, and I'll wait for the Sharpie ink to dry before putting the decopodge over it, too. Lots of fun goofies, but I'm hoping they work out anyway! Once they are free of the drying box, I'll put up some better pictures. Between cleaning, cooking, cleaning again and painting shuttles, I haven't done any tatting this weekend -- can you imagine!?
To Bling or Not to Bling, that was the question...
Aren't they pretty? Having these declared dangerous and "not permitted" really would have made me cry!
The wood is beautifully veined and polished to a smooth lustre. Of course, the carved rendition of Ann Bruvold's dragon right there in the center makes it very special. Even more charming is Chris's personal "Hi" to me carved into the post. That's a particularly nice thing to do after I literally destroyed two of his winder 
shuttles during testing. I intend to take very good care of this shuttle. All the shuttles are posed in the Dragon Shuttle's new case -- what could be more appropriate than this silk-covered box I got in San Francisco's Chinatown? (Well, okay, one with a dragon pattern on the silk, but flowers are good, right?)
These great shuttles sell like hotcakes, so my timing had to be just right. I'd been waiting to pounce on the new offerings since Jane announced the posting time on her blog. This one is teak -- it sounds as exotic as it looks. It's also a very smooth bit of work, and I love the feel of the wood. Oh! It has a purple bobbin too! Wouldn't it be fun if bobbins came in every color of the rainbow? This is my fifth Pop-a-Bobbin shuttle -- greedy, huh?
end of one side. What ever paper and medium she used to secure it has certainly altered the feel of the shuttle. It doesn't feel like a flimsy plastic shuttle anymore; it's much more substantial. Besides that bonus, the covering medium also gives the shuttle a bit of a texture making it easy to hold onto without creating any place the thread can catch. I think I need more of these pretty shuttles.
into the end. It's very nice to work with. Can you just see a double-shuttle project with this on one thread and the Dragon on the other? Nice image, eh? Anyway, not content with just the shuttle, I also got this crochet hook in a turned case. The hook pulls out of the end, reverses, and goes back in for use. It has a hole through the end of the long cap so it can be worn as a necklace or on a chatelaine. I wonder if it would make it through the x-ray machines at the airport? Ha. Well, I'M not going to be the one to test it, that's for sure and certain.
