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3. I don't mow my lawn, and haven't for thirteen years. No, it's not xeriscaped or zeroscaped or weedy. I have a lawn service.
Sometimes I tell them they are deserving of their ugly car because their driving is equally ugly. I tell them to get off my road if they can't drive. I sometimes even tell them their taste in music stinks (it doesn't fall in the 1920-1970 range), especially if their base is trying to blow the doors of my car. When there aren't enough drivers to talk to, I talk to the pedestrians. Mostly I tell them they have bad taste in clothing, or they need glasses to find the crosswalk. I tell them how creeped-out I am by their tattoos (they have to be done with a NEEDLE! -- another reason I shuttle tat). Occasionally, I do tell somebody they've done something right or they've got good taste in clothes. Nobody listens.
This is my punk Betty Boop -- maybe Batty Boop? With her bright green lipstick she really should have had shocking blue hair. I learned a lot doing this TIAS from Jane Eborall. For one thing when she says size 20 thread, she means it! So, poor Batty Boop has a balloon skirt instead of a nice neat bell. I could go get some 20 thread, or maybe I could just make her again using some smaller beads. But, I'll keep that in the thinkin' stage for a while. She deserves some unique time!
Marilee Rockley's "Dreams" again -- this time in purple DMC Cébélia size 30 with a button closure for my 12-year-old niece. As I had so much trouble counting to 5 to make a zig-zag chain, this one is made with spiral chains of 25 second half ds separated by small split rings. I put the beads on picots off the split rings. That seemed to work pretty well for keeping them on the outside of the chain. The drop beads are just clear teardrops, but they are what she liked best.
Using that same purple and some mint green Cébélia with some shades of purple and green seed beads I'm making another bald doily. I like the center of this pattern really well. It's when I get to those three rows of chians that I choke on it. They just don't work for me. This one is now in the "thinking stage" -- I figure if I think about it long enough, I can come up with something that will suit me, and let me use the outer row -- which I find very attractive.
off with a little misshapen hand. I do believe the beads were too big and inconsistently sized. I'm not too certain about the colors either. That pretty pink button is starting to look orange to me.
A bunch of us at ETatters have been doing a tat-along -- working on this same pattern. My first one follows the pattern (except I had to add more ds in the chain rounds because I work too tightly -- relax, relax). This is worked in shades of green in size 70 thread. It was a very old ball of "Star" tatting thread I got somewhere or other -- and I had only the one ball. I used my one and only picot gauge (a tiny little dowel that was gifted to me). It was not best suited to this particular piece. I needed an even tinier little dowel. The beast turned out all hairy. I looked at and despaired of ever getting it blocked. I did block it, but certainly not properly. It's got bent picots everywhere.
I started over using the same thread, leaving out all the picots but the essential joining ones. I like this one much better myself. That chain row is still not to my liking, I think I put in too many ds this time. The last round has about eight joins. I ran out of thread and was having to scrounge from the bits I pulled off the shuttles and piled to discard. Sometimes being a pig is a Good Thing...the pile hadn't been removed from the arm of my chair when I found I needed it. If I do this again, it won't be in "Star" size 70!
Finally! I made these two versions of Anemone Sylvestris from Iris Niebach's book Fantasia 2 during the past month or so. Both are from more of that stash of pink and green size 30 DMC Cébélia. Somehow I couldn't seem to stir myself to block them. They weren't horribly deformed, just rumpled looking. I'm so used to dampening things and using a zillion pins (stainless steel dressmaker pins!) I didn't think. When the light dawned, I dampened them and took 'em to the ironing board with a bit of clean, white cloth. Wow. Ironing works! The first one I made was the one with the five centers. I hadn't intended to do five -- just four. Uh-huh. The pattern required and odd number of centers, and it
says so quite plainly. Five worked very well though. Reversing the colors, I worked the square one around one center. This one was actually harder to figure out and I had to watch the diagram much more closely.
I started the same place -- with a chain off a paper clip. However, that didn't result in a simple ending the way the five center one did. I was doing a quite a bit of shuttle maneuvering, and had to (ahem) retrotat one of the elements about three times before getting all the picots properly joined. The final join is, as in the first one, rough. I need to work on that kind of chain join. There's gotta be a smoother way to work it.
five...just didn't scan it. Well, it's no longer Kokopelli on a unicycle but what it actually is, I can't imagine. Luckily, I don't have to because Jane knows! It's certainly fun to do this way.
Here's my version of days three and four of the TIAS. I did day two (else I couldn't have done three and four, you see), but didn't scan it. As to what I'm tatting, haven't a clue (unless it's Kokopelli on a unicycle). It's so fun that way!

I've done the tatting -- you do the seeing. What is it? Yes, yes -- I know it's a button, some thread, beads and a safety pin. All I can make of it so far is that it's going to be interesting! This is another "Tat it and see" from the inventive mind of Jane Eborall. Personally, I'm hoping for something I can wear. A beaded bikini? NO -- I can't wear that!
Pink and green! Shouldn't that inspire a bit of Spring weather instead of snow -- in May?? Perhaps, because the last couple of days have been very pleasant, even with the rain. This is "Betula" from Iris Neibach's Tatting Fantasia. I couldn't face the dreaded yellow DMC size 30 Cébélia, so I scrabbled around in my bin for something more cheerful. (Yes, I know other people think yellow is cheerful. I think it looks jaundiced, and makes me look that way. Go ahead, tat with yellow claw-like hands...) This little motif is so elegantly simple, that it made me figure it must be snowing outside again when the "magic thread" broke instead of sliding the ends inside. Fiddle, had to stitch the ends in. Still, I liked the motif and so
did my 6-year-old niece. I borrowed the main motif to make this necklace for her...hence the button closure. She can do it herself! I still had some of that springy green and pink on the shuttles, so I opened
up Sharon Briggs' Transitions in Tatting and scanned over the first few beginner pieces. Lovely, just what I needed, a new bookmark. This one is the Daisy, but I added a couple of little rings as pretend leaves and a little clover end instead of a tassel. Everything needs to be pressed or blocked, but I haven't bothered with that little detail yet.