Yes, a bit of lace from "Tatting With Visual Patterns" by Mary Konior. I made a mistake, so there's a picot missing. I was going to put this on a pillowcase. After making the mistake I decided it was a good thing. This is size 20 thread. I've remade the edging in size 40, which is much better for the purpose. I finished it and joined it together last night. Now I have to wash it. No matter how many times I wash my hands when I use white thread it just looks grubby to me. Once it's washed and dried I'll sew it on the pillowcase. This is a first for me. I don't actually know why anyone would want to put lace on a pillowcase. However, it's one of the categories for entry in the State Fair and one I've not entered before. This piece might be re-purposed into a headband for a flower girl, because "wedding item" is one of the categories in the County Fair. If I use the picots as attachment points and put little beads there, nobody is going to know there's one picot missing -- there will be a bead after all.
For those of you on galloping horses, okay, those who don't have the inclination to stare at every picot on this bit, here's the error:
Yes. Bugs. I made some. Jeanie Schekel, the chair of the Ogden Bonneville Tatters group, held a class on Riet Surtel-Smeulders Daisy Picot Butterfly last month. I didn't finish in class, so my attempt at hiding the wire was not as easy as it probably should have been. There's wire in the wings so they can be shaped and hold the shape without stiffening. I did not choose the threads wisely either -- really should have selected three plain colors to get a proper contrast. Still, I do like these and I like this pattern. The top butterfly is size 20 and the bottom is size 40. Now I need to try it with size 80. The other bug is a dragonfly designed by Leesa Kramer, the Bonneville Tatters chair this year. It only takes about two yards of size 20 thread, four dagger beads and two big eye beads. I want to make more of these! Of course, before I make more, I should sew in the ends of this one.
Renulek's Spring Doily has been all over the 'net -- here included. I started on March 18th and finished tatting (YES!) on May 1. It took me until the 5th to get all the ends sewn in, and last Thursday I blocked the piece on my large board. So, it took me less than 3 months, but not much less.
It amazes me every time I finish something like this. It is a very simple pattern, rings and chains in ordinary configurations. It's how those ordinary configurations are organized that gives the pattern it's beauty, and once it's all put together, it looks complex. There are other renditions that look even more complex than this one, simply because of the color choices. It's so interesting how each piece worked looks just slightly different from the others. Here's another difference in each piece -- blocking. Not everyone likes to spread things out as much as I do!Mine is done is size 20 thread, so it's large. As completed it measured 18 inches across, but, after blocking it is almost 20 inches. This one is destined for the Fair this year. I don't know what the judges will make of it -- but I like it. I still have to make a list of colors (I'll add that in later just in case anyone is interested), but I do like my rainbow:
Have you lost Fox at Tat-ology? Yesterday all I could get was a 404 error. Her web host apparently was not nice and a BAD company, so she's moved to blogspot. If you follow Fox (and who doesn't?) you'll need to update your bookmarks or clickable lists or whatever you use to:
In the waiting room at the clinic in an almost comfortable chair, I did my tatting in public. Too bad International Tatting Day, April Fool's Day, and my least favorite day of the year all fell on the same day this year. Of course April Fool's day and International Tatting Day are fixed in time, but my annual physical floats around. There's nothing dignified about a visit to the doctor, and my tatting covers more than the gown and sheet! Why is it doctors talk to you when you're starkers? They should get all that poking around business out of the way then let you get dressed for the discussion. Oh, I'm getting carried away. I did TIP. I finished the rest of round 8 of my Renulek Spring doily and started on round 9. The ends for round 8 still need to be hidden and the back is looking generally thready -- lots of ends need to be clipped when this is finished!
Sometime in February I started working on "Cascade" from Blomqvist and Persson's Tatting Patterns and Designs. It has been finished for almost a month, but really needed blocking. I could tell it was going to be a torture block -- the doily needed to go on the rack. Here it is all stretched, and I do mean stretched. If you don't look close, it looks pretty good. A critical eye would notice the stressed bits, and those places where somebody couldn't seem to count. Oh, well. It actually is a very pretty pattern, but I have to wonder how it would look with fewer picots and larger rings right there in the center.
Last month at our regular meeting of Bonneville Tatters, we made name tags. I made one with my name and one with my real name (no, it's not Bizzilwix - it's also not a big secret). Mine is made from white Lizbeth size 20 thread. What? Oh, you've noticed that it doesn't look very white. No, it's not from dirty hands. My sister dyed that thread for me and I like using it (check out my pram, heart, and decoration) — rainbows are happy things. Besides, it will match everything. Yes, it will, even patterns — everything! I've got a plastic thingy with a magnet attachment that is supposed to go on the back of it, but I don't know the proper way to put it there yet. We are supposed to learn that next month. *sigh* I won't be at the meeting next month, so I will need remedial help in May, I suppose. It was such fun putting these little beads in the middle of split rings. I used Jane Eborall's method and it worked slicker than ...ummm... slick things. I tried doing it another way, using the thread from the second half of the split ring, but kept getting a weird lump and loose looking thread on top of the tatting, so I had to give that up. I know it works (because other people used it) but it had me baffled. However, Jane's method was so successful, I now want to put beads in the center of lots more split rings. I need to find a pattern with lots of them and put beads in — just because I can. ☺
Still working on Renulek's Spring doily. I'm out to round 7, but I left off the decorative picots in round 8. Can't say why, except laziness, probably. The next round will be like the green row, but in red and pink. I've got it worked out so it will end in the dark and light purple. Unless I discover a goofy bit when I get around to blocking it, I'll probably keep it to enter in the Fair this year. They need color, Color, COLOR!
All over the 'net -- in the blogs, in the tatting group on Facebook, at InTatters -- people are doing Renulek's latest doily: Spring Napkin 2014. I have to play, too! I started Tuesday night, so I don't have much completed yet -- I'm just at the beginning of round 3. I was going to work it in size 40, but couldn't find all the colors I wanted to use in my stash. My stash did contain all the colors I wanted in Lizbeth 20 (except the red, that's Manuela because I couldn't find any Lizbeth red in my stash -- gotta go shopping!). For the first center I did, I worked the joins so the color blips didn't show, but I didn't like it. It was too tight and the chains didn't have enough curve. Having the little pink color blips looks better to me and so does the chain shape in this one. I'll have to block the other one and add it to this post so they can be compared. That was its other problem -- it really needs blocking. In case it's not obvious to everyone, this is going to be a rainbow-- "roygbiv" (red, orange, yellow, green, blue, indigo, violet), but with the addition of the pink, and I don't really have blue and indigo -- I have blue and darker blue. I don't know how it will look when it's completed, but it will certainly be cheerful! All those loose threads are woven-in ends or tatted-over tails. I never cut them off until after the piece is blocked. There's less chance of something coming un-woven or completely undone that way. Sometimes the hairy ends get in the way, but if they're snipped to about three inches long, they're not too bad to deal with.
Very rarely do I have just the exact amount of thread on my shuttles that I need for a project. I like to wind my shuttles continuous thread method and full. That could be wasteful, you know. All those thread ends have to end up somewhere. Some I just toss away (that's the wasteful part). Some I scatter all over the house (not intentionally -- it just happens -- more waste). Some I make into bugs and flowers and hearts (hooray! useful!).
What gets made depends on how much thread is left on the shuttle. Lots of thread gets turned into big butterflies or hearts, medium sized left-overs get turned into small butterflies or dragonflies, small bits of thread end up as caterpillars, spiders, flies or flowers. Right now I have a box of bugs and flowers and a tin of hearts.
What do you do with your thread ends? (I take all these things to the tatting demonstration at the fair and give them away.)
Tatting while listening to audio books is what I call relaxation. I get home from work, get dinner out of the way, then park myself in my favorite chair. I pick up my lap desk covered with shuttles, patterns, strings and beads, stick the earbuds in and say, "Checking out!" Nobody bothers me then -- until it's time to go ride the stationary bike, that is.