Still doing Snowflakes in Bangles

Still doing Jon Yusoff's snowflakes in bangles. These two are "Radiance" and "Spring Blossom" from her Tatted Snowflake Collection. The thread is Oren Bayan silver metallic thread. I think it's bigger than size 80, but a bit smaller than size 40. 

When I put "Radiance" in the bangle, I found it was a bit too small, so I added rings as I covered the bangle. That was awkward; the bangle kept getting in the way. The holder-rings are obvious and a little twisted. I applied a person-using-thread-that-frays-horribly-when-you-try-to-unpick-it standard: a man on a galloping horse will never notice, so I left 'em. As the thread is fine, instead of the lock chain I usually make for hanging loops, I wrapped a second thread around the bangle at the end and made a pearle-tatted loop. 

These are the latest, but I've got another on the shuttles. I think the stack is about a dozen high now.  It's rather like being stuck in third gear! There are another 40 or 50 bangles in my supply box. Maybe I should save some for another year.

Radiance

Spring Blossom

Unsettling

As in not being able to settle down and figure out what I really want to tat.  I've been doing Jane's Tat-it-and-See, but it only keeps me entertained for little bits of time. Other than that, I've been doing a bit of this and a bit more of this and some of that. Lots of little pieces and lots of hearts and butterflies using left over thread have gone into my heart tin and butterfly box.  I haven't been interested in blocking things either. 

I'd show some of what I've been doing, but Blogger doesn't want to let me post any pictures.  It was okay earlier this month, but now it has decided to not play nice. How good is your imagination?

Imagine this:  Four snowflakes in bangles, some hearts like the ones at the top of the picture in this post; an angel I've never done before, and some really beady earrings.  Oh, and a Rainbow Splash TIAS piece.  *sigh* 

Okay, it apparently IS my computer, not Blogger (sorry!).  There's no problem adding the picture from work (but it doesn't show the earrings):

State Fair 2013

Covered Lotion Jar

This covered lotion jar is my Creative Arts entry. I got a third place ribbon for it.  Pretty good, since there were lots of things with no ribbons at all. Of course, if one person enters two things in the same category, the judges will only award one ribbon, so that might not mean anything.  I use the jar for a pair of matching shuttles and thread, but entered it as a "trinket jar" home-decor item. They tore a piece on the lid, but when I picked it up after the Fair somebody had glued it down.  Weird. 

Lacy Chevron Afghan

My "Lacy Chevron" afghan got a second place ribbon and a comment on the back that said "nicely done."  This is the second afghan I've entered in the State Fair.  The first one didn't have any constructive comments either, so I decided I didn't need improvement.  :)  


Just so you're not holding your breath, I'm  going to have a brag moment and say everything else I entered got a first place ribbon.  Of course, I have to also say I was the ONLY entrant in the Advanced Department for tatting.  All the other tatting was in either "Amateur," or "Senior Citizens 62 or older."

18-inch crocheted doily

11-inch crocheted doily

This year I mounted all the thread-work I entered. It makes the people at the fair happy because they are easier to display and it makes me happy because they don't get displayed thrown across an afghan or quilt. The pieces are tacked to the boards in two or three spots at the top with invisible thread (so that the judges can lift it up and look at the back if they want to). Both the white crocheted doilies are on pieces of white foam-core board covered with blue cotton fabric. I use stitch-witchery (iron on double stick stuff) to put the fabric on the boards -- much easier than sewing! The nice part is that I can just clip the invisible thread after the fair and store the boards for use next year. Sometimes I don't have a board that looks good with the piece of handwork or I don't have one of the right size for what I want to display, so I have to make new ones.  I have quite a collection of boards now. They are of all different sizes and covered with different fabrics. In the past, I only mounted the smaller pieces, as it was required by the fair so they didn't get lost.

Blue pineapple doily

This is a better picture of the blue tatted "pineapple" doily than the one I got at the County Fair.  This is another of those no-pattern things playing with split chains and rings so I didn't have any threads to hide.  One of these days I should sit down and try to make actual patterns for these.  The problem is figuring out what I did and how many ds I actually used in any element. You'd think I'd be smart enough to write things down as I work, wouldn't you?  Well, hello -- that's 'cause you don't know me very well.  I don't want to waste my time writing down things that might not work -- and I have lots of bits and pieces of things that didn't work!  Still, maybe I'd better stop thinking of it as wasting time and consider it an investment in future patterns, because I like this one!

Sunrise Doily

You recognize this, right?  It's the Sunrise thread and doily center that Jess from Tat-ilicious dyed for me. I entered it in the County Fair in 2012 and intended to enter it in the State Fair that same year. Turned out there wasn't a category for it that year. The only ones they had for edgings were for a pillowcase or a handkerchief. I suppose I could have told them it was a round hanky, but it might have been disqualified.  This year they added some categories (can you believe it!?), so I entered it in the "Miscellaneous Trim Only, on an item not listed above" (the items  listed above were the pillowcase and the handkerchief).
Anyway, the Fair rules allow entry of items completed within the past two years, so -- TA-DA -- I got to enter it this year.  That was cool, because I thought more people needed to see what great things can be done with colored threads! Jess should really get the ribbon for this one, because the judge's comment was, "I like the color choices and the dying of the fabric."

Blue Christmas Ornaments

Blue Christmas ornaments. Yeah, I make a lot of the same ones. The pattern on the right is definitely mine (it's one of the few patterns I've ever written down). The one on the left is one of those I keep making by looking at an old one I have. The problem is, I can't remember where I got that pattern. I don't know if it's one I made up or one I got out of a book, or one I got free off the net. If anyone recognizes it, please let me know!  I suppose I could sit down with all my tatting pattern books and see if I can find it. You can see the problem with that idea, right?  {Open the pattern book ... start looking ...oooooo... that looks interesting ... where're my shuttles? ... thread ... yeah, that color ... what do you mean, "what am I doing?"  I'm going to make something!}

Fantasy Tree

The Fantasy Tree is another piece that had to wait until there was a category for it. There is only one miscellaneous category and in 2012 I used it for the Utahraptor. This year I used it for the Tree.  This is something like a tatting sampler (except there are NO clunies in it -- not one).  I wrapped the shuttles with two colors of Sulky blendables then kept changing the threads here and there, sometimes one thread sometimes both as the shuttles emptied.  I'm really big-headed about this one because on the back of the entry card (judge's comments) it says "Oh MY GOSH. This is an amazing piece" (you can see my head swell, can't you?).  On the front is a notation "sweeps."  It didn't get sweepstakes, but they thought about it. Maybe if I made a tablecloth sized tree...

Snowflakes

Finally, here are the five snowflakes again. I entered them as a set of motifs.  Kind of a sneaky way of getting around choosing which I thought was best.  The card on this one tickled me too -- it says "consider for sweeps". Cool.

So, that's the State Fair for this year for me, at least.  You'll want to see what my niece did though -- really you will! 

And -- one more thing.  It drives me NUTS the way this blogger thing shows me one thing when I enter but when I look on the screen I see something else.  None of the text and pictures are in the right places, so I might just caption all the pictures and the corresponding text.  Yeah, I think I will. --- Aaaaarrrrggghhhh, that's not much better.  You'll just have to figure it out.

County Fair 2013

The County Fair was held at the end of August.  I didn't have very many things to enter because I was busy with other not so fun stuff.  Just to heighten the tension (okay, pretend you were feeling some), here's the crochet first:  First place blue ribbons on a ripple afghan and a small white pineapple doily (which if you look closely you can see they mislabeled.  We entered at the same time and they put my sister's name on it -- she let me keep it anyway).

The other piece of crochet is an 18" (45.75 cm) diameter white pineapple doily.  It not only got a first place blue ribbon, it got a "considered for sweepstakes" high-blue ribbon.  Yeah, I'm pretty pleased with it.

I only entered three tatted items in the County Fair.  The categories are more limited than the State Fair.  I got a first place blue ribbon on the blue doily of my own design. (Well, okay, it was the shuttle's design.  I just loaded the thread and let it take me where it would.)

I entered these snowflakes as "wedding accessories" by claiming they were bride favors. Really, they need to add more categories!  The snowflakes were originally done for the IOLI convention in Salt Lake this year.  Bonneville Tatters (of which I am a member) donated them to the convention attendees.  I turned in somewhere around 40, but got sidetracked with all this other stuff and didn't attend any of the meetings in time to turn in the others.  So...what else?...I entered them in the fair.

The blue Christmas ornaments, which I entered as a set, also got a blue ribbon and considered for sweepstakes.  I know I designed the one on the right, but I'm not too sure about the one on the left.  I've made so many of the one on the right that I'm certain about it, but if anyone recognizes the one on the left as being someone's pattern, I hope you'll say so.  I want to give proper credit -- and I want to make more!  

The rest of the family did well at the County Fair too.  We brought home lots of ribbons. 

Shuttlebirds

Packing for Shuttlebirds has been interesting -- sort of, "Hmmmm...if I wear the same sox two days in a row I can fit in this extra ball of thread. WHAT?  No, no cleanliness is important, buy some thread when you get there!"  Since I decided to fly instead of take that 11 hour drive I've also been worried about what the TSA is going to take away from me.  Can I take a size 16 crochet hook?  Do I dare take the new Quad hook pen I got from LadyShuttleMaker?  Are they going to say I can't carry on all this stuff?  I'm trying to pare it down to minimums, but my minimums are rather maximum.  If I can decide on one good-sized project and just take materials for that everything will probably fit.  I worry about deciding part way there that some other project would really have been a better idea.  *sigh*

 

Aside from that, here's another of those "Sternenhimmel" motifs from Susanne Schwenke's book SpitzenKreationen.  I really like the way this one creates that little central star as well.  I remembered to make all the joins on this one -- there's one sitting on the arm of my chair sadly misshapen from a missed join.  I'll be making more of this design in a nice plain thread so the pattern stands out.  Hmmmm...maybe SpitzenKreationen should go to Spokane with me!

Remaining Elegance

Finally, finally, they're all finished.  These are the last of Jon Yusoff's Elegant Tatting Gems -- well, the last for me, at least.  They are elegant:  "Elegance is a synonym for beauty that has come to acquire the additional connotations of unusual effectiveness and simplicity."  Exactly so, I couldn't say it better so I borrowed that bit from Wikipedia.   All of the patterns in this remarkable book are made with the most basic tatting elements -- the simplicity.  But, they are put together is such a way as to create little bits of deceptive complexity.  Effective, indeed.

You may note that "Nilam" is all pointed instead of nicely rounded as Jon intended it.  The pointy version fits on the ornament easier than a rounded version. I'm using these snowflakes to make ornaments to complete my (two- or is it three-year-old?)  25 Motif Challenge.  Some of them are completed, I just need photographs.  Others are partially completed, but need some tiny fill-in motifs of some sort.  I'm working on that. 

Jon's Elegant Tatting Gems and Tatted Snowflake Collection are joining my Iris Niebach pattern books in my "most favored" stack.  They're fun to tat but challenging enough to be interesting.

More Elegant Tatting Gems

Yup -- been tatting, just not posting.  The computer has been in use -- it's school science fair season.  Wanna know how to clean a penny?  Never mind.

I've done some more of the beautiful snowflakes from Jon Yusoff's book Elegant Tatting Gems. I'm still making them all in red and green DMC size 80 tatting thread, but they're no longer in order.  I goofed on "Nilam" (joined a picot that shouldn't have been joined) and had to remake it -- goofed that one too (all the internal picots are too long) and now am going to have to find more red thread before I can finish any more at all. *sigh* 
Not that all these others were perfect right out of the gate:

As you can see, I had some problems with Lazuardi.  First, I wanted all of the round one loose threads out of my way -- I kept catching them in the rings I was making on the second round.  Second, I didn't put in magic threads, so I sewed in the ends.  Rather, I attempted to sew in the ends.  What I really did was break the thread on the first round.  I started over, but used the wrong size picot gauge and the long picots were just too long.  The last one looks pretty good, though.  When I was doing Kencana I made too many picots on the first red chain, so I did the same for all the others and then joined the bottom ones.  It makes the snowflake a lot rounder.  I did that one over too, and like the less rounded look of the original pattern much better.  Not too many problems with the other four on this page, but I'm not telling how many times I unpicked some of the rings!

Really Elegant Tatting Gems

These are the snowflakes I've been making from Jon Yusoff's book Elegant Tatting Gems.  I'm making them all in red and green DMC size 80 tatting thread.  I'm also doing them in order.  I've got seven and a half done.  This is just the first seven, not the half.

Oh, one of them is NOT in DMC size 80 red and green threads.  One of them is a Lizbeth size 20 pink and blue variegate.  I suppose which one is rather obvious.

These are really great little snowflakes.  They're all pretty and they are all done with basic techniques -- but when they're done they look so complex.  Amazing, right?

Challenge 17

Yeah, yeah, I know -- it was supposed to be DONE in one year not two or even ...ahem... three.  Finally made it to Seventeen though.

Last May (yes, May), I made these green snowflakes from the Ariel pattern in The Tatter's Treasure Chest.  They've been waiting until this week for the center bit and for getting stuck onto the Styrofoam ornament.  My dad's been visiting us so it was a golden opportunity to tat and chat -- I tatted and chatted; dad just chatted.  I made up the middle, and it didn't work quite like I envisioned, but I like it well enough not to take it off and start over!

Elegant Tatting Gems . . .

is a wonderful book full of ... well ... elegant tatting gems.  Lovely snowflakes made using basic techniques.  I've been working my way through the book, but have NOT been weaving in ends.  Those will have to wait until later.  For now, these are the ones I test-tatted for Jon.  At least three of them are.  I'm just certain the other one is one of Jon's as well, because I had it stored with the other three, but I can't find it in any book.  Anybody that recognizes it, please speak up!  All of these test-tats were made with size 80 DMC tatting thread.  My sister dyed all that white thread really pretty colors, didn't she?

There!  Jon got me all straightened out -- thanks so much.  It was one of the test tat patterns she sent, so it does belong with the others, after all.  She modified the design after the test-tat and it became Ratnawilis in her new book.  The change is really pretty -- but I haven't gotten that far in the book yet.

Seasonal Flakes

Ariel from The Tatter's Treasure Chest - 6 repeats only

Green makes them appropriate for Spring -- the flakes are also appropriate to the kind of Spring we've been having. *sigh*  Snow in May is weird (not today, but a week ago).

These are made with DMC size 80 tatting thread hand-dyed by my sister in "Desert Green."  The beads are just little red glass seed beads.

The green snowflakes are going onto a white ornament.  I'll have to show that off when it's done.

Miranda's Angels in the Snow pattern is a lovely snowflake. Done in the right colors, it could also double as a wreath. Not only that, Miranda is donating all the proceeds from sales of her pattern to the Brain Injury Association of New Mexico.

This one is made of Lizbeth's size 20 red, green, and white colorway. I think I could have made a better color choice, because the pretty pattern looses it's definition this way. I'll be making another (and another, and another) but picking either more subtle colorways, or solid colors.

Continued Bling and Snowflakes

Here they are for a closer look. (There are only 7 of them, this shows both sides of each shuttle.) The three on the left are unpainted -- that's the native gray showing through.
The green vines on the far left shuttle were made with two shades of extra-fine Sharpie markers. It has a big yellow chrysanthamum (at least that's what I'm pretending it is) on the opposite side. The flower and leaves were painted with acrylic paint then accented with Sharpie markers.
The purple and green stars on the second from the left are shiny metallic stickers with more Sharpie marker lines for accents with shiny little half beads stuck into the shuttle divots.
The third from the left is covered with tissue paper, stripes on one side and dots on the other. The flat half-beads stuck into the divots sit pretty flush with the shuttle body. This one is the easiest to use. Maybe because I only used two coats of decopodge -- or it could have been a better shuttle to begin with -- or even, it could be that the tissue paper makes it feel sturdy but still light. I don't know, but I like it. (I don't like it as well as the beautiful shuttles I got from LaCossette though.)
The next three were all painted white -- but it took two coats and a bunch of touch up to get the gray covered. That's too much paint and it doesn't look that good on close inspection. The flowers are stickers with Sharpie marker stems and leaves. I had to peel away part of the paint and decopodge on part of the winder end of the red and purple flower one, because I couldn't put the bobbin on it. It looks a bit odd with that bit of gray showing.
The frogs are somewhat raised stickers, also accented with Sharpie markers. That black blob on one side is supposed to be a little fly. This one is the second hardest to use because of the raised character of the frogs. The thread doesn't slide over them from the back -- but if you tat with your fingers behind the center of the shuttle, as I do, there's a perfect finger spot on this one.
The blue one on the far right has shiny silver star stickers on it -- and at least three coats of blue paint. It's painted on the inside as well. That was not a good idea. The bobbin doesn't turn well in this one, but it's still workable, and I think it might loosen up.

I know they all work because I tatted these with them:

You all must recognize Jane Eborall's Flurry Snowflake. This is the greatest snowflake pattern I've run across in a long time. It's pretty. It looks good in lots of colors (these are my sister's Bermuda Red and Singing the Blues in size 30). It uses beads (shiny, I like shiny!). It's all worked in one round. It's uses the shoelace trick in the cleverest way ever. I even think it will fit in the bangles I use if I just make one of Jane's long beaded picots at the top of each point.
You know, sometimes I think the world doesn't know what it's missing because Jane hasn't got braincell number 4 in permanent residence. If she can be this clever with just number 3 -- she could clean up the world with number 4! I really, really like this pattern -- can you tell?

Ornaments on a Ring

Ruth Perry's Snowflake 2008 is a beautiful Celtic pattern. It's made in one continuous round when done in one color. Of course, I cheated and made it in two colors instead of one, so there were extra threads to hide. Both are made with Lizbeth size 40 thread in Christmas red, Christmas green and white, just combined differently,

At first, I thought I could just do the inside round and fit them inside the ring. That was the right size, but not the right choice. The outer round stabilizes the Celtic twists in the inner round. Without the outer round, the inner lost some of its definition. That's why the outer round sticks out beyond the ring. I like the way they look hanging up -- really they look better than flat (especially against that bright yellow [what ever possessed me to do that?]).

I know, you all thought I was working on my challenge ornaments, right? HA-HA, fooled you! These are not part of my challenge because they are not covers for round ornaments, but they're still going to look good on somebody's tree.

Actually, I have been working on my challenge ornaments, but round doesn't fit in the scanner, you know. I have to haul out the camera (like it's a chore when it's just a point and click digital), and find a good place for the pictures, then get the lighting just right and figure out the macro settings and all that other stuff. I don't have any excuses for not taking the pictures just this reason: lazy, just plain lazy. Maybe tonight. . . [for the pictures! not for anything more exciting!]

25 Motif Challenge - Number 3

Ta-da! I'm now caught up to the second week of February. Unfortunately, it's the second week of March. *sigh* No matter, I'm plugging away at it. I tend to get obsessive about deadlines and keep reminding myself I need to relax. If I fuss about this challenge I'm not going to enjoy my tatting, nor am I going to take time to tat other things.

This one is made of really inexpensive size 30 crochet thread that used to be dirty white (we found it in a box in the basement). My sister was trying out new dye colors, so I let her use some of the thread. (Yeah, I'm nice like that!) This is what she calls "Flame" in shades from deep scarlet to bright yellow. I love the color, I extremely dislike the thread. It's got odd little slubs in it here and there which made some rings very nearly impossible to close. Perseverance was the key -- okay, it was really, fuss, cuss, pick, pinch, pull, cuss, and slide one stitch at a time!

The pattern is my own snowflake -- the one I designed for Sharon Briggs' Design-Tat class. I made two then laced them to this matte-gold ornament with a single strand of gold thread. The beads are inexpensive clear glass. I don't know how Christmas-y this is, so maybe it's a Halloween ornament. :)

Ornament Rings

This is a set of winter decorations. I'd use them on the Christmas tree, but they'd do just as well in the window or hanging from the ceiling.

Hanging from the ceiling actually sounds pretty good -- like they've been to a really wild party. YeeeHaaawwwww...party on, dudes. Who's got the music?...

Wait...what was I talking about? Oh, yeah, these ornaments.

All of the white ones are made with Coats Dual Duty Button Cotton. The red and green ones are made with Lizbeth size 40 in Christmas red or Christmas green. All of the white and red ones are either directly from Jon Yusoff's Snowflakes Collection or are adaptations of those patterns to get them to fit into the silver bangles. The green ones are either directly from DMC's Tatting for Today or have been adapted to fit into the bangles. It does seem strange to be making Christmas ornaments in August (given that the temperature outside is upwards of 90 F). These are for a gift. I don't think the person who's getting these even knows this blog exists, though. Sometimes it's a good thing to labor in obscurity, right?

One Ringy-Dingy, Two Ringy-Dingy

Rings of all sizes -- cover 'em up!

Using adaptations of the center-ring snowflake from an earlier post, I've been covering rings like a mad fool. I've made two of these using Flora size 20 ecru thread (which is acceptable for the Festival of Trees), two with Day and Night Rainbow thread (a size 30), and one with Lizbeth Christmas thread (a red, green and white size 20 colorway). My dad has one of the rainbow ones, and the Christmas thread one. Hey! When he says he likes 'em he's stuck with them! I happened on two sleeves of bangles in a bargain bin, one is just silver-color and the other is silver and shades of green. I've got two hundred bangles to cover -- that's a lot of ornaments!

Not just ornaments, either. With a little more adaptation, the pattern can fit into these smaller hoops for earrings. I need to work on sizing (and counting, apparently) but these are for my sister's birthday -- tomorrow! They are made from the shades of green size 80 thread she dyed for me. You know, they'd look better if I had photographed them instead of squashing them in the scanner, because they bow out from the outer ring a bit. If she wore necklaces, I'd make a bigger one for a pendant. It's a thought for another time.

Ring Flake

See, ecru isn't nearly so interesting. Of course, this is a little busy looking, but seen "live" it's really very nice -- not too busy at all (I think it's the shadows in the picture). This is "Midnight Escape" (DMC size 80 ) thread and an (as yet) unnamed snowflake pattern around a covered ring. Once it was done, I decided to practice that covered ring thing some more, so I fastened it to a covered silver bangle. That worked -- so it had to have a hanger. The only problem is that's it's slightly too big for the bangle. I'm going to solve that by drying it over one of my niece's little rubber balls. Right now, it bows out from the bangle anyway, so I'm going to encourage that. I'm going to make more, with a change in stitch counts to see if I can get it to stretch side-to-side without the bow.

Flake-y Tatting

Waiting for inspiration, sketching, figuring, fussing, doing, re-doing, waiting for further inspiration, fussing some more. I really have been doing something, it just doesn't look like much! Since I've been so lax about blogging what I'm doing, I'll just dump it all in here at once.
First, Bonneville Tatters is donating a Tree to this year's Festival of Trees (those are Christmas trees for a local children's charity). It's being done in maroon and ecru and is intended to look Victorian. (Personally, I would have done a Tattycat tree -- white with rainbow snowflakes!) I've done nothing maroon, but will be donating this snowflake from the last pattern I worked out. It is made of size 30 ecru Cebelia. Of course I'm going to be working on some other stuff, too. This is just the bare minimum start. It's just soooooo hard for me to tat in ecru. I'm always convinced I've made a dirty spot (because I carry it all over the place) that is never going to come out. If you see one on this snowflake, don't tell me!

As for the fussing and figuring, I saw this bit of machine embroidery and thought I might be able to make it into a tatted snowflake. The pattern I drew out looked really great. Ummmm...I couldn't tat it the way I drew it. There were too many disconnected open bits and all the little hearts had to be done separately (lots of ends to hide). I couldn't get the shape even close, except by using lock chains, and they don't look quite right -- well, not as I had invisioned this thing looking, anyway. It needs a lot of work. I've set it aside for now and am thinking about it. This test piece was made in Opera size 10 cream thread. I didn't weave the threads in very well, but had to do something with them to see if this looked even halfway interesting. It does, but I couldn't get six points in, so it's no snowflake! I'm thinking about it, because i do like that center star.

Finally, this one was also from a bit of machine embroidery. It didn't end up looking much like the embroidery flake, but it pleases me. The first test of the drawn pattern didn't work well at all. It's SCMR connected by chains. Right, those don't have a lot of substance and the center shape is all weird. The second try turned out pretty good, but was a pain to do. It has a central ring with 11 picots and one mock picot to work out to the round with the SCMR and spacing chains. It works fine and doesn't look too bad, just a bit gobby at the center. So, for the third incarnation, I tried out covering a bone-ring (which is actually plastic). Since this is the first time I'd tried covering a ring, I just tied the threads together so I could work out how many stitches would cover the ring. Hey, I guessed right and put the little picot gaps in the right places too. How weird is that? Then I had to deal with those thread ends and the knot where I tied my two shuttles together. There's a lumpy spot right at the base of one of the arms. The fourth one is the one I will be donating to the Tree. I still have work to do on getting the ring covered evenly, and need to figure out how to do rings at the edges, but I think these little rings are nifty. Oh, this flake is made of size 30 Cebelia, as well.

New Snowflakes

This is what I've been doing lately -- my latest homework from Sharon Briggs' Design-Tat course. (This is just so much fun!) She found this image for us to use for inspiration. To me, it looked like a blurred paper-cut snowflake, so it took me a while to see anything else. Then it took time to figure out how to connect all the little rings I stuck on the picture. Everybody's work looks different, and mine look a little different from each other.
The first one is from my original drawing and is made in two rows. Made with size 50 Omega thread, it is 4 inches (10.5 cm) across. It's actually the one I made last, because the pattern looked too round to be a snowflake. It might make a good beginning to a doily, though.
The pink one in the middle is the one I did first. By leaving out the center ring and changing one element of the top, it looks quite different. That change also allowed me to start at the outside of the first round and complete the entire thing in one pass. It is made with size 20 Lizbeth thread and is 5.5 inches (14 cm) across. I thought maybe the center was too unsupported; it seemed a bit limp. Sooooo...
The third one has a more dense center, but is still able to be completed in one pass. I changed some of the stitch counts, so it looks a bit more relaxed than the pink one, which had to be severely blocked to lay flat. It is 4.5 inches (11.5 cm) across and is made from "Singing the Blues" thread (hand-dyed on a size 30 Cebelia).