Better Thread

There. Yes, it does look better in a solid color. It might be okay in a multi-colored thread, but the thread would have to be very carefully selected. This is back to the rest of my DMC Cébélia size 30 stash for a nice plain purple. I like the spot where the motif's join, even though it is very dense (sometimes I am too, so that's okay). Next step is writing out the pattern for this one. I didn't do that. I like working off a made piece -- must be something I got from my Gramma. She crocheted beautiful things, but couldn't read a pattern. She just used made pieces and duplicated them. Still, if I'm going to share, I'll have to write it down. I just don't have time to make everyone a pattern piece to work from (as if "everyone" wants to make the same thing!). I thought about making this bigger, so I've left the joining picots on all the edges, and this is just lightly pressed, not really blocked or starched.
At any rate -- this was really a good lesson in being careful of the colors I pick!
I've been asked to share the pattern. I'm happy to do that, as soon as I get some time to actually make a pattern. Right now it's just the original motif that I keep following.

Thread Selection

This is my second homework motif worked into a little mat. It is 4 inches (about 10 cm) square. The thread is size 20 Lizbeth "Desert Bloom". I think the motif turned out really well and makes a very nice decorative mat. However...

The thread was a severe mistake -- especially for this piece. The colors are wrong and change in odd places worked in this pattern. Purple, orange, and gray-white might make something really pretty, but I can't think what. I do believe this thread was a mistake, for me, and I won't be buying any more of it. Of course, if I had picked a different pattern to make with it, I might be feeling better about the thread.

I need to try this motif in a nice solid color and see how the mat looks.

Francesca, Finally

"Francesca" from Tatted Doilies by Iris Niebach has been a real challenge for me. I've been trying to work this pattern for very nearly five years. Ummmm...not constantly, mind. Every time I've started it I've gotten hopelessly lost somewhere before completing the second repeat. I've unpicked and re-tatted and decided that was wrong, too. I've unpicked and broken the threads. Finally, I've cut the bit off and chucked it out in disgust at my absolute inability to follow instructions. This time, I decided to outsmart myself. I scanned the pattern diagram then, using my PaintShop program layered the bit of the diagram over and over until I had a larger diagram showing the progression through three repeats. That seemed to work (not that this doily didn't undergo an ample share of retro-tatting) I managed to get clear around and actually finish! I used some of my new Lizbeth size 20 to work this pattern. The color is "Caribbean" and is actually much more defined purple, navy, and turquoise than I can get my scanner (or my limited ability with color brightening) to show. I probably should have dampened this one and stretched it out on the starch board before showing it -- but I just trundled it off to the ironing board for a quick press. It can go on the starch board later.

International Tatting Day

Here I am, sneaking in to say "HI!" for International Tatting Day.
Am I tatting? No. (I'm working -- yes, really, I am!)

However, I do have a picture of my original homework motif with some little computer assisted SCMR modifications suggested by Sharon Briggs. This would allow the motif to be connected to others of its kind to make a rather interesting looking mat.

Okay, I didn't tat today (YET!) but I have thought about it!

P.S. I DID tat at my niece's indoor soccer game. I made little blue butterflies and gave them away. There -- tatting in public, and giving it away -- that works for celebrating! :)